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It’s the comedy of self-imposed limits, of how to be articulate yet imaginatively closed off to the world. It’s a market-tested pose, which is where its cynicism lies.
Carolla’s not without smarts, which is what makes his overthought jokes more depressing his intelligence is dedicated to what is broadly described as “guy humor” - smug, twitchy jokes about porn and whatever else is supposed to strike a blow for guttural American male enlightenment. Many people know Carolla from “Loveline,” the radio call-in show that was also on MTV it is said that Carolla will take over for Howard Stern in Los Angeles when Stern jumps to satellite radio. It was as if he were looking at Kellison: Hey man, that joke was funny at dinner, trust me. Then again, in more recent shows, I have noticed, Carolla keeps staring at someone to his right, as if to reassure himself that the joke about how transsexuals shouldn’t change their name from Brent to Brenda but go for an entirely different name, like Sheila, was working. In fairness, the panda-Crystal Method episode was the first show, and things might perk up. Then he had a guest, two guys called the Crystal Method. The callers sounded like Limbaugh ditto-heads, schooled to be as bugged as Carolla.
Subsequently, Carolla took calls from around the country (“What bothers you?” was the topic), even though a number had not been given out.
Gene Scott, talking about what irks him (pandas who won’t have sex, it turned out, he could talk about it all night). This schedule might very well change come October, when “The Daily Show’s” Stephen Colbert is ready with “The Colbert Report,” but for now, after Jon Stewart you get Carolla, who that first night was just sitting there in a leather chair, like the late Dr. There’s also the problem that Carolla is better with Kimmel without Kimmel’s reassuringly soft, sloe-eyed mug, the reductive jokes about fat chicks just don’t have the love.
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“Too Late,” by contrast, is not only a static TV format, it’s also a radio show, really, airing four nights a week post-"The Daily Show,” 8:30 on the West Coast. They were all dressed up, looking oddly like the royals at Wimbledon. Throughout the evening, Kimmel, Carolla and Kimmel’s girlfriend, the formidably raunchy comedian Sarah Silverman, sat on the first couch behind the podium, directly in view of the camera. What draws you in is the tension of waiting to see which insult joke will go too far (in this case, it was Nick DiPaolo’s line comparing Anderson’s emotional range as an actress to Terry Schiavo). It’s a venerable form that keeps proving to have life in it yet. Last Sunday night, Kimmel ably hosted the roast of Pamela Anderson, which drew more than 4 million viewers during its first play and made you wonder why the network doesn’t organize more of these events Courtney Love, who was all spaghetti legs, writhing about and flipping off the roasters, could become her generation’s Foster Brooks. For Comedy Central, the Kimmel-Carolla-Kellison credits include “The Man Show” (hoisted beers and dancing girls), “Crank Yankers” (puppets make phony phone calls) and now “Too Late.” Comedy Central loves Jackhole, loves how its approach is like a dog whistle for the 18- to 24-year-old men the network is pursuing.
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